Second Wind - In the dream, I asked him, "*Pa, how do I become strong like you?"* Upon waking up, I realized it was one of the most honest things I've said in the past ...
24 September 2013
Movie Review: Joshua Tree, 1951
This movie, which is titled Joshua Tree, 1951: A Portrait of James Dean, is really a cinematic experience. The cinematography is just great. While the script was a little exposition heavy at times, the acting and the cinematography was, well, just great. The formalism of the movie lends itself to a jarring experience of the emotional life of the characters and James Dean in particular. There is a puerile quality to it that help clarify the contours of the tragic experience of James Dean.
There is set of scenes in the film between Dean and the "Boy on the Beach" where the reflection of puerile sexuality peaks in tragedy. There, Dean and the "boy on the beach" hook up. When it is done, Dean, in a flippant and casual way inquires regarding when they will see each other again. The Boy on the Beach hesitates -- a pregnant pause. The I-don't-give-a-shit-macho-fag routine was called out by a fem bottom in a flippant and casual way. Crushing, tragic.
The movie is not an example of realism in any sense. In fact, its formalism helps to make it seem more real in terms of a historical accounting of this person's life. The memories do not nicely flow one into the other and the chronology is disjunctive. The soundtrack reminds me of memories of that moment just before I entered into the intermediate state, into the poetic flux outside of time and order.